Our
last ‘chapter’ about our visit to the Nebraska Prairie Museum involves a exhibit on a topic that we weren’t aware of or ever thought of.
When one considers America and World War II, we think of the sacrifices
of our military personnel and their families, Pearl Harbor, U-Boat attacks, the
bombing of London, the Pacific Theater, the Normandy Invasion, Hiroshima and
perhaps the Battle of the Bulge.
What we
encountered at the museum involved WWII and part of its history in south
central Nebraska…
Yes…This
is a guard tower! More importantly, it
has a sign on the fence that reads “German WWII POW Camp”! We knew that many Japanese-Americans had been
held in Internment Camps…but somehow it never dawned on either of us that
German POW’s had been incarcerated here in the USA. We certainly didn’t learn about it in our
history classes.
Over
three million prisoners of war were captured by Allied forces during World War
II. Of these, 370,000 Germans and 50,000
Italians were transferred from the battlefront to the United States at the
request of our European allies, who were holding all the prisoners they could. Prisoners were brought to the U.S. to be
safely confined and to supplement a depleted civilian work force. The POWs lived at 126 large camps, mostly in
the center of the country, each housing several thousand men.
This is
a mural at the entrance to the Nebraska Prairie Museum’s latest exhibit,
entitled “Into the Eye of the Storm”.
This exhibit portrays “Camp Atlanta”, the WWII German POW Camp which was
located near Atlanta Nebraska, just about 5 miles from the museum in Holdrege.
(I failed to record this artist’s name…)
The
barracks for the POW camps were nearly identical for both the U.S. military
personnel and the German prisoners. The
Corps of Engineers considered the ideal base camp to be an area of about 320
acres with relatively level ground providing good drainage. This is about equal to a rectangle measuring a
half mile by one mile.
Atlanta
was divided into three main prisoner compounds with a capacity of approximately
1,000 men each. Each compound consisted
of several barracks buildings as well as a mess hall, workshop, canteen,
infirmary, administrative building and recreation hall. The barracks buildings were 20 x 100 feet and
consisted of a concrete slab floor, cheaply built 2 x 4 framing and a covering
of 4 x 8 tar-based sheeting for the exterior walls. A layer of one-inch thick fiber material
comprised the interior walls.
This is
what the ‘real’ entrance to the Atlanta Prisoner of War Camp looked like when
the camp was in operation. The word
‘stark’ comes to mind! It should be
noted that the US Colonel in charge of the camp and his wife did much of the
work on the sign by themselves as the Army was taking too long to get it
accomplished...
When
construction began in September 1943, locals were told this would be a
"Conchie Camp" for the conscientious objectors from the United
States. However, by November it became known that Atlanta would be a Prisoner
of War camp expected to guard German prisoners. The camp was staffed and guarded by approximately
275 US Army enlisted men and 60 officers.
The
sign reads “This toy cart was made by a prisoner at the Atlanta Prisoner of War
Camp during WWII. It was given to a boy
who lived near the camp.
The US
Commander of the Atlanta POW Camp worked hard to keep the prisoners under his
charge busy and out of trouble. Among
other things, they were involved in crafts, gardening, laundry, live theater, had
their own German language newspaper, could watch movies twice a week…they even
had their own orchestra! Without
activities and work, trouble could be just around the corner… While most German
soldiers weren’t Nazis, the hard-core members of that group in the midst of the
population were always trying to stir up the prisoners.
Some POWs
resisted work or other activities. An
effective incentive to participation in these programs was one of "No
Work, No Food." Prisoners who didn't cooperate with the Americans were put
on bread and water rations until their thinking came into line with their
captors.
Of
great interest to Laurie and I were the many paintings depicting life at the
Atlanta Prisoner of War Camp… This is entitled “Antreten Zur Zahlung” and it
depicts the daily routine at reveille and retreat…the twice a day head count of
the prisoners.
The
artist is Thomas F. Naegele, a former US Army Interpreter who was assigned to
the camp. Naegele’s family had fled to
England from Germany before the start of the War. Later, he immigrated to the USA where he
served as a US Army Interpreter. The
Army obviously needed soldiers who could speak German to help them run these
camps.
“Sunrise
at the Main Gate…” In this scene, guards are checking out POWs headed out to
work on farm trucks with a guard detail along for the ride. They were also checking in a few local
civilians who worked at the camp.
Many of
the German POWs were allowed to leave the camp under limited guard to help with
agricultural work. German prisoners of
war from the internment camps proved to be of considerable aid to Nebraska
farmers in helping to pick the state's 1944 record breaking corn crop. These men were made available through
application to county agricultural extension agents after priority had been
given by the War Manpower Commission. Toward
the end of the war, some families were so comfortable with their POW laborers
that one farmer reported that his wife would just go and pick them by herself.
This
Naegele painting is entitled “Bread Wagon”.
Following complaints about the soft white factory bread that the
prisoners were originally served, a variety of flours and yeast were provided
to the commissary. An oven was installed
and bakers were selected from the POW ranks.
Consequently,
from that time forward, daily crisp and crusty loaves were provided for both
the prisoners and the American troops guarding them… The bakery produced 1,044
pounds, or 522 loaves, of white bread daily. For variety, rye bread was baked in limited
quantities several times a week.
German
prisoners in the USA were generally well treated, many of them living more
comfortably and eating better than they would have back in Germany. (Of course
they were still prisoners) Quite a number of them later immigrated to the US and
became citizens. Students of WWII might
comment that our troops held in German POW camps didn’t fare as well. That is true, but think about how we would
have treated our German POWs if we’d been invaded!
I
borrowed this photo and a couple of others from the Museum’s on-line
exhibit. This picture from the Atlanta
POW Camps shows that it takes a lot of cooks to prepare meals for a camp full
of hungry men. The German POWs did all
their own cooking and even prepared meals for the GIs. Once the German cooks took over the
commissary, both sides enjoyed better meals.
This
painting is “Hoeing Beets”. The
springtime cultivation of new plants was relatively light work for the
POW’s…especially when compared to husking corn in the summer.
This
painting is titled “A Winter Patrol”.
The mounted American soldier is in search of 2 POW escapees who snipped
their way out of camp on a cold Saturday night using a stolen pair of pliers. By Wednesday of the same week, they were back
in camp courtesy of a local sheriff.
Escapes
from any of these camps were relatively rare. The
vastness of the USA boggled the minds of any prisoners who tried… They usually
just turned themselves in after a couple of days. There were exceptions. The most notable escapee was Georg
Gärtner. He escaped from a POW camp in
Deming, New Mexico on September 21, 1945.
He assumed a new identity and lived quietly for decades until
"surrendering" to Bryant Gumbel on the Today Show in 1985. Although wanted by the FBI for 40 years, he
lived in Colorado under his adopted name, Dennis Whiles, and wrote a book about
his experiences after escaping, entitled “Hitler's Last Soldier in America.”
This is
titled “A Serenade”. A POW named
Panzer-Schmitt played a serenade for a GI couple while shopping in a McCook Nebraska
pawnshop. He was looking for inexpensive
musical instruments to form a camp ensemble orchestra. Note the US Army guard observing the scene.
To
quote one occupant of the Atlanta POW Camp, "When we first got to the
camp, there were horse mounted patrols, guard dogs in fence runs, rifles and
soldiers everywhere. Search lights shined around the camp at night. Toward the
end of the war, Camp Atlanta was just like a quiet little town, with nothing
going on even after dark."
As I mentioned earlier, the German POWs even
staged their own plays and entertainment.
When the prisoners' script called for a female part, one of the younger,
fine-featured men would be called on to fill the role. Music was an important diversion as
well. Some of the orchestra members even
took their instruments back to Germany after the war…
The
title of this painting ‘borrowed’ from the Nebraska Prairie Museum’s website is
“What did those Krauts Say?” The
interpreter and artist, Thomas Naegele is in the foreground. To quote: “My fellow Americans are curious
and listen to my stories, which allow that not all Germans are Nazis, that the
prisoners I spoke to are glad to be in America, and afraid of the Nazis among
them. I try to explain what "Nazi" means. Some of the GIs seem to question my loyalty,
all but blaming me for their having to be soldiers away from family, school and
job . . .”
There
was a lot of posturing and rabble-rousing efforts in the camps by fanatic
long-time prisoners from the German Afrika Korps and the Waffen-SS. As trouble makers, they were bounced from
camp to camp before finally being isolated.
Such prisoners were responsible for at least 72 deaths, by coerced
suicide in various camps between 1943 and 1945.
Most of those who were responsible were court martialed.
Another
painting entitled “Defiance at the Gate” also featured Pfc. Naegele. In February 1945, he’d been sent to one of the
compounds with orders to confiscate all food supplies, other than bread, from a
company mess hall in compliance with a bread-and-water diet as punishment for
the prisoners' stubborn refusal to help with compound chores.
“Returning
From the Dump”… In April 1945, POWs were driven over to McCook Air Base to look
for a load of wood and metal scrap for the prisoners to make into suitcases,
toys, souvenirs and picture frames. Over a dozen of the frames in the Museum’s
collection of Thomas Naegele’s works were handmade by a POW who also happened
to be a master carpenter. That’s the
carpenter in the back of the truck ‘enjoying the first ice cream cone he’d had
in years’.
This is
a manikin in prisoner of war garb with his suitcase as he prepared for his
return to Germany after the war. In
reality, most prisoners returning home were dressed in navy-dyed army surplus
clothing. They traveled by rail to the
Norfolk Virginia Naval Yards.
By
December 1945 the government had become highly sensitive about prisoners of war
being used in any job that could possibly be filled by returning American
military veterans or those leaving the defense industries. This meant that all 2,219 POWs remaining at
Camp Atlanta, who were not actively working to maintain the camp, had little to
do. These men engaged in regular camp activities,
including education classes, sports, hobbies and cultural programs. In January 1946, the Atlanta Prisoner of War
Camp was officially deactivated.
A
clearance sale of ninety remaining buildings began at 10:00 a.m. April 1, 1947.
These buildings were sold to the highest
bidder with no priorities required. Thousands of feet of lumber were also
included in this sale. A few of the
buildings that were purchased are still in use in the area.
Just
click on any of the photos to enlarge them…
Thanks
for stopping by…and wading through this rather long posting!
Take
Care, Big Daddy Dave
